Lana Lin is a writer, artist, and filmmaker based in New York and Connecticut. She is the author of the book Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer and film and video works including The Cancer Journals Revisited. Her various works and collaborative projects (with Lan Thao Lam as “Lin + Lam”) have exhibited at festivals and art and educational spaces throughout the world, including the Museum of Modern Art, Whitney Museum, and New Museum, New York; The National Gallery of Art, Washington, D.C.; Gasworks, London; the Taiwan International Documentary Festival and Taiwan Film and Audiovisual Institute, New Taipei City; Arko Art Center, Korean Arts Council, Seoul; and the 2018 Busan Biennale. Having had three years of psychoanalytic training before dropping out, she sometimes still dreams of becoming a psychoanalyst one day.
The Autobiography of H. Lan Thao Lam
Situated between memoir, social criticism, and conceptual art, The Autobiography of H. Lan Thao Lam is an incisive response to a modernist classic and an affecting exploration of the poetics and politics of our times.
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In her 1933 The Autobiography of Alice B. Toklas, Gertrude Stein invented a new literary form by narrating her own story from the perspective of her partner, blurring the lines between portrait and self-portrait. Almost a century later, experimental filmmaker and artist Lana Lin has resurrected Stein’s project to tell a different story of queer love, life, and artistic collaboration.
At heart a candid chronicle of her partner Lan Thao’s life journey from Việt Nam during the war, and her own troubled history as a gender-queer Taiwanese American, Lin draws in subjects as varied as photography, cancer, tropical fruit, New York real estate, and Eve Sedgwick’s eyeglasses, weaving an intimate landscape of living that is also a critical investigation of race and gender.
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“A love story, a litany, a catalog of observations, a guidebook of emotions, a ghost story, a map, a travelogue, a critique of authenticity, and a search for home, The Autobiography of H. Lan Thao Lam lives in the transition between loneliness and connection. Invoking Gertrude Stein’s refusal of fixity while indicting her racist assumptions, Lana Lin creates a text that swims between personal history, art criticism, and collage. This is a book that plays with memory, grief, and solitude to reveal the rituals of intimacy that sustain a creative life.” Mattilda Bernstein Sycamore, author of Touching the Art
“In her brilliant revision of the queer archive, Lana Lin not only brings the understory of the Asian diaspora to the surface but into luminous frame. The Autobiography of H. Lan Thao Lam is a testament to our different histories and to how, through shared stories and everyday habits, we merge and become each other over time. If you asked me to give you a gift through which you could discover yourself in others, I would offer you this book.” Julietta Singh, author of The Breaks
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Lana Lin is a writer, artist, and filmmaker based in New York and Connecticut. She is the author of the book Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer and film and video works including The Cancer Journals Revisited. Her various works and collaborative projects (with Lan Thao Lam as “Lin + Lam”) have exhibited at festivals and art and educational spaces throughout the world, including the Museum of Modern Art, Whitney Museum, and New Museum, New York; The National Gallery of Art, Washington, D.C.; Gasworks, London; the Taiwan International Documentary Festival and Taiwan Film and Audiovisual Institute, New Taipei City; Arko Art Center, Korean Arts Council, Seoul; and the 2018 Busan Biennale. Having had three years of psychoanalytic training before dropping out, she sometimes still dreams of becoming a psychoanalyst one day.
Photograph used by kind permission of Lin + Lam.
Lin + Lam (Lana Lin and H. Lan Thao Lam) has had work exhibited at international venues including the Museum of Modern Art, New Museum, The Kitchen, and the Queens Museum, New York, Yerba Buena Center for the Arts, San Francisco, Arko Arts Center (Korean Arts Council), Seoul, 3rd Guangzhou Triennial, China, and the 2018 Busan Biennale. Their films have screened at the Oberhausen International Short Film Festival, Taiwan International Documentary Film Festival, San Francisco International Asian American Film Festival, Nepal America Film Festival, and European Media Art Festival, Osnabrück, Germany, among others. Their work has been supported by the Canada Council for the Arts, New York State Council on the Arts, Vera List Center for Art & Politics, KW Institute for Contemporary Art Production Series, and the India China Institute at The New School, NY. See more at their website.
Our cover design is an homage to the 1933 cover of Gertrude Stein’s The Autobiography of Alice B. Toklas, published by Harcourt, Brace and Company, which featured a photograph of Stein and Toklas taken by Man Ray.
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